影片改编自真实的故事，展现了一个理想主义者的传奇，一个流浪的故事。 克里斯托弗（埃米尔•赫斯基 饰）家境优渥，是亚特兰大私立名校艾莫里的优等生，前程似锦。但是，他从学校毕业后，选择了截然不同的人生，放弃令人羡慕的工作，把存款捐给慈善机构，去阿拉斯加寻找自我。在家人的劝阻声中，他踏上了回归自然的慢慢长路，成为名副其实的流浪者。 一路上，他遇到不少人，也数次遭受野外生存的挑战，每一步都充满了艰辛，他以坚韧的毅力，实践着寻找自我的梦想……
该片讲述的是：吴若和眼镜是从小在一个大院里长大的邻居，他们一个胆子大性格豪爽，另一个胆小懦弱但学习优秀，两人是一对形影不离的好朋友。长大后，吴若在父母的帮助下经营一家小店，他疯狂迷恋院子里的女孩孙光蕊。眼镜则一心考试出国留学，因为丢失了准考证，眼镜与父母闹别扭，暂住在吴若的小饭馆里，在众人帮忙下，小本经营的吴若拿到了承办宴席的机会。眼看小店的生意日渐红火，吴若却发现眼镜与孙光蕊之间瞒着自己有着不可告人的秘密，随着他的深入调查，一个更惊人的秘密逐渐浮出水面!
安妮（斯嘉丽•约翰逊 饰），一名出身于普通工人家庭的纽约大学毕业生，带着母亲的殷切希望准备成为一名成功的职业女性。但是，就在安妮对自己的前途与未来感到迷茫的时候，一个意外却打破了她原本的生活轨迹，她在纽约上东区第五大道的X家找到了一份保姆的工作——全天候照顾X家四岁的儿子格莱尔。但是，这份收入不菲的工作却不像自己想象中那么轻松。 除了和任性淘气的格莱尔打交道外，安妮还要负责一些家中的杂活儿，同时隐瞒母亲自己现在的工作。而富有的X家似乎也不像那样光鲜，X先生整日忙着赚钱，不在家中；X太太则忙于购物、打扮、社交，偶尔还对安妮的工作吹毛求疵，夫妇俩不但无暇顾及儿子格莱尔，而且婚姻似乎还出现了裂痕。而此时，一个帅气的富家子弟哈佛（克里斯•伊文斯 饰）却闯进了她的生活。卷入这一切的安妮是否能当好这个富家保姆？她与哈佛将情归何处……
《江南丧尸》讲述了出现不明原因症状的人出没后，江南成为了混乱中心，为了生存而冒着生命危险的故事。
该片由芬兰导演阿尔托·哈洛宁执导，皮鲁·埃斯贝克和乔什·卢卡斯主演。本片基于1951年哥本哈根催眠谋杀案的真实故事改编。这历史上最惊人的一系列催眠犯罪，使得调查人员和催眠师们进行了大量的心理操纵术研究。经过警方调查发现，一名男子利用催眠术操纵了另一名男子，使其盗窃并杀人。
邪恶的黑龙絜钩以苦厄、惊惧、哀伤等情绪为食，他给人间制造了一场瘟疫，并派妖龙鱼不惑（郑钧颢 饰）和树妖蒲葵（张楚萱 饰）抓捕梦中的死对头李心远（陈浩民 饰）。在刺杀过程中，蒲葵被李心远救助百姓的善良、正直打动，渐渐动摇。刺杀任务一拖再拖，人间的苦难让恶龙积蓄了足够的力量，他来到人间欲亲自杀死宿命之敌李心远。降龙大战一触即发。
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
岳松扮演的李然，到東北一個小鎮尋同父異母的妹妹，結果血战當地犯罪团伙光头帮的故事。
故事发生在北极附近一个前不着村后不着店的小镇，两个年轻人在这里相遇并坠入爱河。
年过30的女作家麦克(伊丽莎白·莱尔 饰演)总觉得自己内心其实是一个老古板。在棕榈泉度过狂欢周末时，独自在一个占卜师那里做了一场冥想，一觉醒来发现自己神奇地变成了七十岁的自己（黛安·基顿饰演）。
卡特是一名儿童心理学家，他在自己女儿的房间里装了许多摄影机，用以观察儿童在平日里的一举一动。卡特的老婆詹妮，对他这种过分关注的行为有些担心，但她正在搞婚外恋，因此忽略了做母亲的责任，也就任由卡特去了。然而没过多久，当地发生了一连串儿童绑架事件，詹妮开始怀疑也许与丈夫有关，后者似乎正在进行一种心灵控制的试验。而詹妮不知道的是，卡特有着多重人格，知晓詹妮外遇的他，正打算对其大开杀戒……
十九世纪，日本内战进行中，只见旧幕府势力节节败退，新政府军持续挺进。位于决定性领地的「新发田」藩，虽表态拥护幕府老东家，关键渡口却仅派十一位将士前往驻守防御新政府军。而这些将士，其实是藩主另以除罪为诱，命死囚假扮而成。转眼，新政府大军兵临城下！不只盗贼赌徒，还有强奸犯、杀人犯、纵火犯外加一名傻子，看这十一名乌合之军如何一路逃命挨打，到最后却拚死奋力一搏。
